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The vampire narrator of this story tells his tale in a stream-of-consciousness style. |
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716. Neiderman, Andrew. The Need. New York: Putnam's, 1992. |
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Richard and Clea are vampires but they inhabit one body. When Richard kills Clea's lover she vows revenge. |
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717. Petersen, Gail. The Making of a Monster. New York: Dell/Abyss, 1993. |
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Before moving from New York to Los Angeles, Kate was a conventional woman in a conventional marriage. Then she meets Justin, who transforms her from human to a monster who must kill for blood or die. |
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718. Ryan, Shawn. Nocturnas. New York: Pocket Books, 1995. |
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An American journalist discovers that a band of former Romanian secret police are an especially vicious breed of vampire who have recently teamed up with a drugs and arms smuggler. |
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719. Saberhagen, Fred. Dominion. New York: Tor, 1982. |
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In this Dracula adventure, the vampire count meets Merlin and finds himself hurled back to the time of Camelot (see #213-221 for other titles in the series). |
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720. Saberhagen, Fred, and James V. Hart. Bram Stoker's Dracula: A Francis Ford Coppola Film. Based on the Screenplay by James V. Hart; From the Bram Stoker Novel. New York: Signet, 1992. |
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In Coppola's spin on the Dracula story, we are given a reason for the Count's transformation to immortal and for his obsession with Mina. |
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721. Sargent, Carl, and Marc Gasciogne. Nosferatu. New York: Penguin ROC, 1994. |
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This novel is set in the world of Shadowrun, a role-playing game. Among the many paranormal characters in this story is Luther, a mad scientist as well as vampire. |
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722. Sizemore, Susan. Forever Knight: A Stirring of Dust. New York: Boulevard, 1997. |
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Another Nick Knight story (see #697). Nick suspects that the brutal killer of four decapitated victims may be one of his own kind a vampire. |
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